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How to Paint Landscapes with Depth – 6 Tips for Creating Distance in any Painting

Published on Oct. 8th 2009

When painting a landscape, it is essential that you are able to illustrate a visual "sense" of depth, through your brushstrokes, colors, and composition. We all know that this is important. . . but the question is, how exactly do you create a painting that does not appear flat and devoid of distance?

In today’s article I’ll be sharing what I consider to be the most effective ways to describe a sense of distance and atmospheric perspective in your landscapes—and it doesn’t matter whether you’re using a brush, pencil, or pastel.

6 ways to increase depth in a landscape painting

1. Overlap various elements within your composition so that some are forced forward or backward in the scene.

2. Use less detail, texture, and definition when painting objects in the mid-ground and background of the landscape.

3. Paint with lighter values and less contrast for distant elements

4. Use cooler colors to push elements farther into the background.

5. Use warmer, darker colors to bring elements forward into the foreground.

6. As elements recede in the distance, paint them at a much smaller scale than objects in the foreground.

Examples of depth in landscapes

Take a look at this oil painting, entitled Eastern Shore Marsh , and see if you can spot how the above techniques are used to create depth.

Eastern Shore Marsh for EE article resize

The first thing you might have noticed is that a sense of distance is established by cooling the hues as the eye moves back into the painting. Values also shift to the lighter end of the value scale.

In the foreground, the warmer blues in the water and the warm greens in the marsh grasses visually pushes the cooler shades back. Additionally the grasses reveal less detail and texture in the mid-ground and even less in the background.

Eastern Shore Marsh for EE article

If you look all the way to the back you’ll see a clear lack of detail in the trees at the horizon, along with a cool blue-green used in their foliage. Those trees are also very, very small when compared to the foreground grass, which is probably the most effective distancing technique of all.

In the following watercolor painting, A Walk in the Orchard, overlapping elements play a much more significant role in pushing the apple trees back into the distance.

A Walk Through the Orchard, EE resize

Each tree successively grows smaller and lighter in value, and moves from a warm, vibrant green to a cool blue-green in the distance. There is also a lack of detail in the distant trees, and the extreme linear perspective of the composition adds to the sense of depth as well.

It’s important to note that in both of these paintings artistic license was definitely taken. The original landscapes were not as extreme in value, color, or temperature changes as my painted interpretations are.

However, that’s really the point of being an artist in the first place, isn’t it? Your interpretation is what makes a landscape—or any painting—unique.

So as you plan your future landscapes, keep the aforementioned tips in mind and make use of them as needed. For many artists (myself included) they are the key to creating depth and distance in any painting.

We've all been taught that "oil and water do not mix." However, we also know that rules are made to be broken in art, so it's no surprise that water soluble oil paints are starting to appear much more frequently on the scene.

Yet the intelligent mind has to wonder, "How can oil pigments possibly be water soluble?"

The answer is actually simple: the oil medium has been modified. . . read more

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