Monday - Tomorrow I’ll publish a companion article to last week’s How to Handle a Critique. This Monday it’s all about how to give a good one.
Tuesday - EE’s historical artist this week is Pablo Picasso, and I already know I won’t have the space to adequately cover his life and works. I’ll just have to give it my whirlwind best.
Wednesday - More submitted artwork is on its way this Wednesday! My apologies again to those of you I haven’t gotten back to yet; I do read every email and respond when I can. If you haven’t sent in your art yet, check out the guidelines.
Thursday - Normally I don’t display my own work on EE, but recently I’ve had several readers ask about my paintings so I thought I’d show a few from my latest series to answer everyone all together. And, since I bit the bullet and paid to have prints made of one of my paintings, I’ll let you know where I went and how they turned out.
Friday - The last article in my color series is here and, whether you consider it to truly be a color or not, white is certainly worth talking about. Check back in on Friday to read all about it.
Saturday - A doodle, a cartoon, an inkblot. . . something fun will appear this weekend. But let’s just make it through the workweek first, all right? : )
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Finally, my "big project" is finished! It’s been a crazy day with a lot going on, but foliotwist.com is finally live and online! Since I’ve kept it a complete secret up until launch, here’s a quick (mostly visual) overview of what it does. . .
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This year I am in the middle of updating some articles I wrote eight or so years ago, and you know what I discovered? Reading paragraph, upon paragraph, upon paragraph on the web can be cumbersome. No wonder the experts suggested using headers, sub-headers, and bullet points when writing for t. . .
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Art blogs aren't books, and few people (including myself) read them as if they were. I mean, I've never found large blocks of text on my computer screen to be exciting, and as a result I typically won't read them. I'll move on to a smaller block of text, with perhaps one or two sentences, hopi. . .
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A few weeks ago I came across a post written by gallery owner Edward Winkleman, of the Winkleman Gallery in New York. In it, Edward replied to a letter he received from an artist which asked him how artists should go about approaching galleries, or how to find the gallery that is the right fi. . .
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