Ilaria Rosselli del Turco: Everyday Objects, Exceptional Paintings

Published Aug. 12th 2009

It’s a shame that people often overlook the beauty in everyday objects. . . we get used to seeing something over and over again, and forget to really look at it. When it comes to capturing that “everyday” exquisiteness in an oil painting, however, Ilaria Rosselli del Turco is one artist who doesn’t miss much.

A descendent of Florentine Renaissance painters, Ilaria was trained as an illustrator and eventually moved into oil painting. She paints portraits professionally in England and Italy, and creates still lifes and landscapes as well.

Ilaria seems most interested in painting domestic objects, which is what attracted me to her work. In the painting below, a crumpled paper bag showcases delicately-colored shadows and highlights, all of which work together to create a “white” paper bag. Next to the bag sits a wiry whisk.

Although deceptively simple, these objects are painted with angular, somewhat choppy brushstrokes that immediately lend a very appealing visual texture

white bag

I also love how you can see Ilaria’s illustration background come through in her paintings. Her soft, muted colors often feel drawn or sketched in paint, and many of her subjects are slightly outlined by a black line like the spotted pitcher below.

pitcher and apples

Mixing line and mass like that suggests the idea of a two dimensional illustration, but still “pops!” with visual depth. It’s a nice combination.

In terms of composition, Ilaria often takes her focal point and pushes it to the extreme left or right. In order to create stability, she introduces multiple smaller objects on the opposite side (like the apples above) or adds dark shadows pointingaway from the subject (as seen in the painting below).

chef

Pushing the limits of visual balance creates a dynamic, asymmetric composition—and always adds much more visual interest for the viewer.

If you have a moment today, please visit Ilaria’s website at www.ilardt.com to experience more of her beautiful still life oil paintings, as well as her delightful portraits.

Did you like this article?
Please stumble it so others will find it or check out the related posts below.
Finally, my "big project" is finished! It’s been a crazy day with a lot going on, but foliotwist.com is finally live and online! Since I’ve kept it a complete secret up until launch, here’s a quick (mostly visual) overview of what it does. . .read more
In matters of technique, Brian Cody is a fairly traditional watercolor artist: his use of line and color is exact, and his work tends toward photo-realism. His subject matter and quirky compositions, however, are a little farther off the beaten path. Brian started his professional art career i. . . read more
If the lights were to suddenly go out on a dark night, you wouldn't be able to see a thing. Everything would be in darkness. This makes it easy to understand darkness as the absence of light. . . but can you imagine light without any dark? That's a little more difficult. To see anything we mus. . . read more
This week I'm featuring a painter whose work exemplifies the perfect combination of geometric shapes and bold color. Don Dahlke's art is meant to evoke a certain feeling of warm summer days and ocean breezes, and it certainly does that. Those emotions are created through strong light and shado. . . read more
This week's review is on J Matt Miller, a Seattle artist who began his daily painting blog in July of 2006. The thing that drew me to his art was its great visual texture and his use of strong dark shadows to clearly create three dimensional objects. Miller’s daily paintings are all small with. . . read more
Stay current.
Subscribe to EmptyEasel's free weekly newsletter for artists. Sign up today!
EE Writers
Lisa Orgler Alyice Edrich Luke Montgomery Doris Glovier Rose Welty

Want to be a writer for EmptyEasel? Paid positions are available, and the perks are great. :) Contact us to apply