This week’s featured artist is Jiddje Straatsma, a graphic designer and painter from Friesland, Holland.
Over the last few months I’ve really enjoyed Jiddje’s landscape and still life paintings, especially those that capture the unique qualities of his home province.
Painted clogs, for example, are both a great subject-matter for a small daily painting and an interesting look into traditional Dutch culture.

These particular wooden shoes also happen to be full of character and color, which I’m sure made them fun to paint.
Aside from the clogs, though, (and some assorted vegetables and fruits) the majority of Jiddje’s paintings showcase his country’s beautiful canal-crossed countryside.

Just look at that gorgeous transition of color. . . from green to yellow; from that yellow to a beautiful orange; and from that orange to a light salmon color way in the distance.
You’ll also notice that by keeping those far-off trees a very neutral color, Jiddje ensured they’d stay back, giving his brighter colors plenty of visual space to spread out.
But even more than the colors and the landscapes, I’ve decided that there’s a refreshing honesty to Jiddje’s work that I really enjoy.

This large, bent tree is just one example—it doesn’t fit into a typically picturesque landscape. . .but it’s the truth, and Jiddje painted it exactly as it appeared.
If you’d like to see more of Jiddje’s artwork, or to keep up with his daily paintings, check out his website at www.Jiddje.nl.
Please
stumble it so others will find it or check out the related posts below.
Finally, my "big project" is finished! It’s been a crazy day with a lot going on, but foliotwist.com is finally live and online! Since I’ve kept it a complete secret up until launch, here’s a quick (mostly visual) overview of what it does. . .
read more
Today's featured artist is Jeffrey Smith, a painter and art teacher from Minnesota. Jeffrey's paintings encompass several genres, including portraits, still life paintings, and landscapes. I found all of his paintings fascinating—especially for their colors, which were soft yet strong. (I know. . .
read more
There's nothing more frustrating when painting then not being able to mix the right color. When I first started oil painting, it didn't matter that I could see EXACTLY what color I needed, because everything I mixed up still turned into mud. In the end, it just took a little more understandin. . .
read more
Orange is one of three secondary colors along with green and purple. Its traditional complementary color is blue, which sits directly opposite it on the painter's color wheel. What orange means to us psychologically: The color orange is a visually dominant color, mixing the brightness of yell. . .
read more
If you're an oil painter then you know that mixing neutral colors like brown or black can be just as tricky as any other color. And although it might seem easy enough to just use them straight from the tube, those basic blacks and browns are probably TOO neutral for the colors that you're tryi. . .
read more
Subscribe to EmptyEasel's free weekly newsletter for artists.
Sign up today!