As I mentioned last Sunday, I am currently on the road through Tuesday so there will be no new articles posted until mid-week.
Wednesday in Featured Artists - Drop by to see Brian LaSaga’s, simple, yet amazingly realistic paintings. While you’re here, don’t forget to submit your own art to be featured as well.
Thursday in Painting Tutorials - Jane Hunt will share two quick and easy ways to improve your painting process. Speaking from my own personal experience, I can definitely vouch for the effectiveness of her suggestions.
Friday in Artist Interviews - Alyice Edrich and Louis Farkovitz will discuss the motivation and passion behind his very unique, custom-embellished electric guitars.
Last week’s articles on EmptyEasel:
8 Creative Ways to Add Abstract Texture to Your Next Painting
Getting Requests for Artwork Donations? Here’s What I Do
Audra Ziegel: Using Texture to Combine Abstraction to Realism
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Finally, my "big project" is finished! It’s been a crazy day with a lot going on, but foliotwist.com is finally live and online! Since I’ve kept it a complete secret up until launch, here’s a quick (mostly visual) overview of what it does. . .
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Louis Farkovitz has been doodling and creating art, in one form or another, for over forty years. But it wasn't until his friends and family convinced him that he was more than a goldsmith that he realized his true potential as a creative being. . . as an artist. In our interview, Louis, who n. . .
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This week's final featured artist is Louis Dilts, a Colorado painter in oil, pastel, and watercolor. I didn't actually find a lot of pieces on his website, but out of the few I saw, I really enjoyed the expressive qualities of two paintings in particular. Cowboy is a great example of a how cer. . .
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Would you like a free custom-designed art website? If so, now's your chance! Throughout the next few weeks, EmptyEasel will be teaming up with our good friends over at ArtFlock.com to host a special, one-of-a-kind competition just for artists—so if you're an artist and you're reading this, you. . .
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There are a lot of ways to add texture to a painting or collage, but today's video is probably the simplest, easiest explanation I've seen in a while. Claudine Hellmuth uses very few materials and ends up with a nice texture that is both flexible (so you can use it in book-like applications) a. . .
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