Portraiture: An Unexpected Pleasure

Published Mar. 26th 2010

When I first started painting, the genre I was least interested in was portraiture. My mother, who happens to be an artist also, was passionate about it and tried to encourage me to try it but frankly, I just didn’t get it. I was more interested in learning about floral, figurative, or landscape painting.

My love affair with painting portraits began a couple of years ago. After my daughter’s wedding, I began thinking about creating a painting that captured the absolute joy in her face on that special day.

After studying various techniques, I created a sketch and began a journey that resulted in countless hours of painting pleasure (and frustration) at my art table. Since then my technique has evolved, and as I look at the painting now I know what I would do differently. . . but it still remains one of my favorite painting experiences ever.

On Her Wedding Day, EE resize

On the day that I painted this portrait, I had been working on it for several hours and I was frustrated. I leaned back in despair, rubbed my eyes, and thought about just scrapping the painting completely.

But then, when I looked back down at my paper, something changed. . . suddenly I could see my daughter looking back up at me! She had no hair, no ears and was missing much of the detail that would come later, but despite all that, I could see the undeniable likeness of my daughter smiling up at me from a 300lb cold press paper background.

This was a defining moment in my journey as a portrait artist. Suddenly, I got it! I realized that the joy of painting the face of someone you know and love is among the greatest art adventures one can experience.

If you have resisted portrait painting, I urge you to give it a try. However, I suggest that your first portrait be of someone that you do not know. That way you can learn and experiment without the added stress of getting the likeness just right.

Here is a brief walk-through of some of the steps that I took with this particular watercolor portrait:

1. Begin with a good drawing, and add some shadows.

Emily WIP 1 EE resize

2. Complete the face with shadows and skin tones.

Emily WIP 2 EE resize

3. Add hair and final details.

Emily WIP 3 EE resize

Obviously this is an abbreviated view of the process involved in this particular portrait. A full tutorial is for another day, and another painting.

Today I just hope you’ll start thinking about the portrait possibilities that you could have in your artistic future. If you’ve been holding back, DON’T. Portraiture may be outside your comfort zone, and it may take a lot of effort, but in the end, it’s worth it!

Did you like this article?
Please stumble it so others will find it or check out the related posts below.
Finally, my "big project" is finished! It’s been a crazy day with a lot going on, but foliotwist.com is finally live and online! Since I’ve kept it a complete secret up until launch, here’s a quick (mostly visual) overview of what it does. . .read more
The most important part of a drawing is the start, not the finish. This tutorial will focus on how to start a portrait drawing, using basic blocking-in techniques. When drawing a portrait from life, you don't want to just jump-in and draw. I always walk around the model to get a better underst. . . read more
In today's tutorial I'll be using pastels to create a realistic portrait of a dog. I like to use soft pastels for blocking in color, and hard pastels (combined with pastel pencils) for creating detail. Specifically, the pastels that I use are hard Conte pastels, soft Ashby pastels, and Derwent. . . read more
Zhaoming Wu is an incredibly talented Chinese oil painter who was recently brought to my attention over at Greg Kapka's daily painting blog. Greg has a good eye for great art, so I knew I wouldn't be disappointed when I visited Wu's website. His work immediately reminded me of another Chinese . . . read more
Whenever artists wonder how they can improve their painting skills, I tell them to make sure to paint a variety of subjects—still lifes, portraits, and landscapes—rather than focusing on just one type of painting. Here's why: Still Life Paintings Still lifes are made up of an unmoving subject . . . read more
Stay current.
Subscribe to EmptyEasel's free weekly newsletter for artists. Sign up today!
EE Writers
Lisa Orgler Alyice Edrich Luke Montgomery Clemens Greis Doris Glovier Rose Welty

Want to be a writer for EmptyEasel? Paid positions are available, and the perks are great. :) Contact us to apply